FEED (2005)
Audiovisual Performance. Unreal Bodies, Fog, Stroboscopes & Pulse Lights, Surround Sound.
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A creation for the Theater Biennial Venice.
FEED is an immersive performance in two parts that stresses the limits of perception.
The first half is staged in a classical frontal way with a single, larger than life, projection
of figures moving in a synchronized choreography, floating and convulsing in a world
without gravity. Their movements generate sounds, creating a symphonic drone.
The second part is a composition for artificial fog, stroboscopic and pulse light, the
combination inducing a complete loss of spatial orientation, without depth of field.
A matching sound-scape infused by feedback and intense sub-low bass augments
this sensation, generating an intense physical experience.
Reviews:
+Playing With Your Senses
+le Bouillon Cosmique
+Mind Altering Barton McLean
+FEED Visible Space Collapse digimag
+FEED DeTelegraaf dutch
+Feed Netmage06 Italian
+Feed Nim English
+Press-Reviews-ZEE+FEED
Photos:
© Kurt Hentschläger
Audiovisual Performance. Unreal Bodies, Fog, Stroboscopes & Pulse Lights, Surround Sound.

A creation for the Theater Biennial Venice.
FEED is an immersive performance in two parts that stresses the limits of perception.
The first half is staged in a classical frontal way with a single, larger than life, projection
of figures moving in a synchronized choreography, floating and convulsing in a world
without gravity. Their movements generate sounds, creating a symphonic drone.
The second part is a composition for artificial fog, stroboscopic and pulse light, the
combination inducing a complete loss of spatial orientation, without depth of field.
A matching sound-scape infused by feedback and intense sub-low bass augments
this sensation, generating an intense physical experience.
Reviews:
+Playing With Your Senses
+le Bouillon Cosmique
+Mind Altering Barton McLean
+FEED Visible Space Collapse digimag
+FEED DeTelegraaf dutch
+Feed Netmage06 Italian
+Feed Nim English
+Press-Reviews-ZEE+FEED
Photos:
© Kurt Hentschläger




